Author Archive

Recommended Acting Books

Written by NewLiveTheatre on . Posted in Blog, Theatre Advice

in-depth-acting-dee-cannonIN DEPTH ACTING

By Dee Cannon

BUY THIS BOOK

ISBN: 9781849432320

Read More about In Depth Acting

A book that will stand the test of time’ – Pierce Brosnan

An essential guide to the Stanislavski technique, filtering out the complexities of the system and offering a dynamic, hands-on approach. Provides a comprehensive understanding of character, preparation, text, subtext and objectives.

  • How to prepare for drama school and professional auditions
  • How to develop a 3-dimensional, truthful character
  • Preparation exercises to help you get in character
  • Rehearsal guidelines
  • An appendix of Transitive/Active Verbs and more

‘A wonderful, succinct book that no student or professional actor should be without.’ Jenny Lipman, LAMDA

‘Dee Cannon’s classes at RADA were legendary. An inspiring and intensely practical guide for anyone, at any stage of their acting life.’ Eve Best

‘This is the definitive version of the method I use to approach every role… How wonderful to finally have it all in book form!’ Gemma Arterton

‘Working with Dee and with this book I feel my process and preparation has been energized, activated and inspired’ Ramin Karimloo

 

Actions: The Actors ThesaurusACTIONS: THE ACTORS’ THESAURUS

By Marina Caldarone and Maggie Lloyd-Williams

BUY THIS BOOK

ISBN: 9781854596741

Read More about Actions The Actors Thesaurus

‘If you want to act, or act better, Actions will take you a long way on the journey to excellence’ Terry Johnson

A vital companion for actors in rehearsal – a thesaurus of action-words to revitalise performance, with a foreword by Terry Johnson.

Finding the right action is an essential part of the process of preparation for the actor. Using this thesaurus of active verbs, the actor can refine the action-word until s/he hits exactly the right one to help make the action come alive. The method of ‘actioning’ is widely used in rehearsal rooms, but has never before been set down in a systematic and comprehensive way.

An Attitude for ActingAN ATTITUDE FOR ACTING : How to Survive (and Thrive) as an Actor

By Andrew Tidmarsh and Tara Swart

BUY THIS BOOK

ISBN: 9781848421127

Read More about AN ATTITUDE FOR ACTING

A ‘how to’ book for actors who want to develop a ‘can do’ attitude to their profession in the face of rejection and intense competition.

Feeling despondent about the acting profession?
Been out of work for longer than you care to remember?
Starting to resent the injustices of the job and the success of other actors?

If so, An Attitude for Acting will inspire you to break out of the cycle of despondency and start to view yourself as a creative and autonomous individual who is valuable and employable. The book focuses on:

  • Maintaining a healthy attitude
  • Dealing with negative emotions
  • Keeping productive and motivated
  • Developing self-belief and getting the support you need
  • Turning discouragement into activity and opportunity
  • Coping with nerves
  • Preparing for auditions
  • Being included and not feeling left out
  • Building a value system that includes trust, responsibility, flexibility, creativity, adaptability and courage

The book contains a series of intensely ‘hands-on’ exercises – some for practising alone, others for doing with friends or colleagues. These techniques will enable you to free yourself from potential states of inertia and hopelessness, and prevent any feelings of worthlessness becoming a self-fulfilling prophecy. Instead, you will develop a self-confident, ‘can-do’ mentality that will help you shape the career you want.

Whether you’ve just completed your training and want to start your career with confidence or you’ve been acting a while and are having difficulty planning the next stage, this book will help you on your path to surviving – and thriving – as an actor.

‘sensible practical advice… anyone embarking on an acting career or currently in the doldrums would do well to invest in this book’ British Theatre Guide

An Attitude for Acting is on Facebook here.

Paul’s Actor and Arts Marketing 101

Written by NewLiveTheatre on . Posted in Blog, Theatre Advice

“Marketing” – it’s such a boring word which makes most people groan and turn off, isn’t it. When you hear the word ‘marketing’, most people think of a suited businessman with a briefcase and mustard splodged down his tie – they picture him sat around a table in an office surrounded by more boring, mustard and ketchup splattered folk, all staring at some squiggly lines on a whiteboard at the head of the room with some cranky man conducting with his pointer, not really knowing what he’s talking about himself. That’s probably the most excitement he gets all day. This vision is enough to make most people crawl away mumbling words like ‘tomorrow’ and ‘whatever’. But that’s not all there is to marketing – you need to grin and bare it and explore what it really means before you walk away, because your career could depend on it.

Believe it or not, marketing can be fun. But if you don’t show people that you exist how are they going to find you?? My favourite quote of recent is: “It’s not who you know, it’s who knows YOU” (thank you Andrew Regan for telling me that one).

What is Networking & Social Media

When it comes to marketing, a couple of words/phrases constantly flying about are ‘Networking‘ and ‘Social Media‘. Without knowing it, you probably do both of these already. Every time you log on to Facebook or Twitter you are engaging in a social media network. Every time you talk to people at your acting class and ask questions, introduce yourself and tell people what you’re up to – that’s networking. As soon as you realise what these boring words mean, the veil is lifted and it starts to make more sense. But you probably already knew these simple facts, didn’t you. But are you aware of what else you can do to promote yourself as a performer? Do you know how best to make use of Twitter? It’s not just for stalking sexy celebrities and telling people what you’re eating. Casting Directors, Agents, Theatre Companies, Directors, Writers, Producers – all these people you want to meet; they’re all on there too. OK, well, obviously not all of them –  I admit some are still sat in caves somewhere with a candle and a chalkboard, but there’s a lot of them. But before you dive in there, you need to think about your ‘strategy’. However, Twitter and Facebook are not the end to social media – there’s also ‘LinkedIn’, ‘Google Plus’ (if you can work it out) – even ‘Instagram’ could be useful, particularly to Models wanting to post pictures. But at the end of the day, there’s only so much you can do isn’t there… find your favourite(s) and work them well.

My main advice (if you want it): Get on Twitter. Add your stage name, with a professional Username. Add your headshot. Add a concise biography stating that you are an ACTOR (not ‘aspiring’, ‘wannabe’, ‘student’ etc – these all have negative connotations if you’re looking to engage with employers) and put your Spotlight LINK in your biography, with a personal website in the section for it. Make sure you add your Location, too (Manchester/London/LA etc). Remember, Twitter is used ‘on the go’ – on mobile phones more often than not, so you need to make this information easily accessible to people if you’re trying to engage their attention. Follow everyone you want to work with, give and share information/’retweets’ freely (people may return the favour one day) and respond to people’s tweets whenever you feel the urge to. I use ‘favourites’ like the Facebook ‘Like’ button – I favourite to let people know that I appreciate their post, even if I don’t have a response for them. They don’t always see that, nor care however. Remember, tweets are easily lost/overlooked, especially if people have many followers or aren’t too techy. You don’t have to tweet all the time, just check it every now and then when you remember. Basically, be there, have a presence. Why not? It’s free and it takes a few minutes.

Your Voice – Professional/Unprofessional Approach?

I always find that a little less talked about subject is the professional/unprofessional line. It’s an interesting one (to me anyway). In the world of business it is not good practice to bad mouth your competition or respond unprofessionally to complaints. The problem with being your own walking talking business is knowing what you can and cannot say. If you ever stop and think ‘nooo, I can’t say that’, this normally means you’ve reached your line. To be successful on social media sites like Twitter, you normally need to have a strong ‘voice’ – but that doesn’t necessarily mean you need to be outspoken. You need consistency in your approach and to know what you’re trying to get from what you’re doing. You have celebrities who are known for being outspoken, loud, and they tweet all sorts of rubbish; in many cases this works for them and this is their ‘voice’, it’s what gets them known. I would call this the ‘unprofessional’ approach – but not at all does that mean it’s the wrong approach. Really, there is no right and wrong, it’s all opinion (this is MY opinion – ignore it if you wish, people often do). If you chose to be ‘unprofessional’ in your approach, you will have the advantage of seeming more approachable and people are more likely to engage with what you’re saying and reply to you – whether it’s a positive or negative response however is a different matter. In business, the belief is that it’s better to at least have a foothold in social media and know what’s being said about you than to not be aware at all. As an Actor/Writer/Director/etc, you may not want to read what people are writing about you, so that rule may be more applicable to Arts Companies. But if you ARE doing something wrong or someone has gotten hold of the wrong end of a sticky stick, you’re best knowing about it.

I will finish with explaining that the ‘professional’ approach would be always watching your P’s and Q’s, responding politely at all times and basically updating your status every now and then with some kind of marketing message. Just think about what you normally update your status with – would you say you are professional or unprofessional? Personally, I do try to tread the middle ground but would probably say that I am ‘unprofessional’ in my approach.

Know Your Product

Acting is a business and you need to think of it as one. You are your product and you need to know your ingredients (look into ‘Archetypes’) and what you’re trying to sell – your headshots and CV being your marketing material; they need to compliment what you’re trying to sell. If you’re trying to sell ‘cool, young chic’ and your headshots say ‘teacher’, you’re not too often likely to be called in for what you’re applying for. Your Twitter followers are your consumers and you need to make them want to buy your product. If you don’t know what/who you’re selling, get a piece of paper and write down some single words which you feel best describe you – deep down. Who are you? Keep digging until you can go no further. These words are also great for working into that dreaded “So, tell me about yourself” audition question.

Networking

Now the FUN part is the Networking – once you’ve got to the bottom of the boring stuff (what are you selling, how etc) you need to get out there and sell yourself! Get out where? To plays, showcases, classes, conventions, meet ups! Keep your ear to the ground. The majority of good roles/jobs are cast/taken before they’re even written/finalised, so if you’re waiting for your Agent to find you work you’re already missing out on a lot. NOBODY can do this for you.

Well, I think that’s enough of that from me. If you want learn more and have it all explained to you in more detail and more clearly, we have a great seminar coming up at our next Theatre Showcase on 13th April 2013 called ‘Marketing & Social Media for Actors’, which will be delivered by ‘Penguin In the Room‘. I would highly recommend anyone take this seminar, as there’s so much more to marketing than I’ve mentioned above.

Until the next blog,
Paul

P.S – If you have an opinion on this subject, feel free to post a comment below!

 


Showcase Underway and More…

Written by NewLiveTheatre on . Posted in Blog

MANCHESTER_THEATRE_SHOWCASE_ADSo, after months of planning, advertising for and reading scripts and two round of auditions, the Manchester Theatre Showcase is now well underway! We now have our new venue (3MT), 4 Writers, 4 Directors, 12 Actors and 3 Stand Up Comedians confirmed! There are a total of 23 participants in this year’s April Showcase – more than double that of our last showcase in July 2012! The details of who is involved have already been updated on the website but I’m going to be announcing the information officially throughout today.

As an extension to the Theatre Showcase, I have been speaking with a London based PR company called ‘Penguin In the Room‘ and have arranged for them to run a 3 hour Workshop for us in 2 weeks time on ‘Marketing and Social Media for Actors‘ – it’s going to be a great workshop if you can make it along. Samantha, an Award Winning Arts Marketeer, will also be visiting us again in April to deliver a shorter seminar on the opening day of the Theatre Showcase. I arranged for Penguin In the Room to visit us as I believe that every Actor (or Director, Writer, Theatre Company – or anyone in the arts business) HAS to be aware of how to MARKET themselves. In today’s harsh, fast-moving industry, talent on it’s own just isn’t enough – you need to be aware of how to sell yourself and know what you’re selling; I remember that in my training, this is something that I never had explained to me and had to discover for myself via other means. I’m sure I’ll learn some great tips from the workshop too and am greatly looking forward to it! Try and get yourself along if you can. (Click here for more info)

aparsonstaleAs well as arranging the showcase, we have now kicked off our 2013 tour of Christopher Owen’s ‘A Parson’s Tale‘, after our debut show with it last November in Bolton. We had a great show down in Manley, Cheshire, last month and we will be visiting St Thomas’s Church Hall in Delph (near Saddleworth, Oldham) in a couple of weeks, followed by a visit to Hesketh Bank in Preston the week after. I’ve also learned today that Bob Young (our Rev. J T Smith) will be interviewed by the lovely Norma Kelly on Preston FM on the 18th March to promote the show, so that should be good fun! After Hesketh Bank, we’re closer to home up in Rossendale in April visiting a brilliantly refurbished 19th century church – St Anne’s in Waterfoot (our first ‘Church’ venue, as opposed to church hall or village hall). We’re still adding venues all the time, and it was nice to get our first requested booking from a venue last week after they heard feedback from our show at Manley. If you’re interested in getting along to see A Parson’s Tale, you can find all the details at www.aparsonstale.com.

Women's VoicesI have been getting a lot of interest in Women’s Voices; another comedy by Christopher Owen, but this time co-written with Susan Monson, about a feminist a cappella choir. We (myself and Clare Barry, who I approached, with crossed fingers, to Direct this great script, knowing it would be right up her street) will be starting pre-production for the show after we’ve completed work on the Showcase in April (in which Clare will be directing a new piece called ‘VIP’, by Thomas Ingham). We should then begin casting around the end of May. We have lots of great suggestions for cast already and I look forward to meeting everyone. This is truly a great, funny show, and the choir – which we will be putting together as a ‘choir‘ – will bring a brilliant dynamic to the production, which isn’t necessarily a musical (much like A Parson’s Tale, I would describe it as a play with musical highlights).

But for now, I think that’s enough of my rambling. As always, if you have any questions about anything New Live Theatre related please feel free to email me at paul@newlivetheatre.co.uk.

So until the next blog, that’s me waffled out…
Paul


MTS2014

MANCHESTER HUB DRAMA

Read More Information

Fun Facts

Composer Irving Berlin, despite living to the age of 101, never learned to play the piano in more than one key. Instead, he had a specially commissioned piano that could change key at the flick of a switch.

Recommended

SUPPORT US

As an independent company we receive NO FUNDING for our shows. Interested in supporting or sponsoring us? Click below for details!

Support Us - Find Out More